Sherlock Holmes
and the Voice of Terror is the third film in the Rathbone/Bruce series,
but the first one made by Universal, the first in the series in which Rathbone
sports his ridiculous hairstyle, and the first film set in London in the
1940s instead of the late 1800s. Universal tried to explain the change in setting
with the following
words, which appear after the opening credits at the beginning of the film:
"The
character of Sherlock Holmes, created by Sir Arthur Conan Doyle, is ageless, invincible,
and unchanging. In solving significant problems of the present day, he remains, as ever,
the supreme master of deductive reasoning."
Rathbone thought that making the
films contemporary was a good idea; he stated that he felt the Sherlock Holmes stories
were dated and old-fashioned (In and Out of Character, p. 180). Universal
must have felt that
the deerstalker was old-fashioned, too. In one scene in the film, as Holmes
and Watson were leaving 221B Baker Street, Holmes reached for the famous
deerstalker cap. Watson stopped him, saying: "No, no, no! You promised!"
Holmes grabbed a fedora instead.
As the film begins we hear a radio voice from Germany—the "Voice of
Terror"—announcing news of bombings and other sabotage to British
listeners. Sherlock Holmes is invited by
the Intelligence Inner Council to help identify and silence the "Voice of
Terror." Convinced that the sabotage is a prelude, and that something bigger is
planned, Holmes vows to find out what that diabolic plan is.
Back at 221B Baker Street, a man named Gavin, whom Holmes had contacted
for information, shows up at the door with a knife in his back. Before he
expires Gavin utters one word: "Christopher." Holmes he made
deductions about Gavin's killer after examining the knife. Puzzled as to the meaning of
the word "Christopher," Holmes and Watson head to the Limehouse district to talk with
Kitty, Gavin's wife.
At first, Kitty has no interest in helping Holmes, but he appeals to her patriotic side.
Holmes tells her that Gavin was killed by the Nazis. He asks her to enlist
all her friends to fight the Nazis. Kitty succeeds in rousing her friends
to help fight for England. The friends spread out to find out what "Christopher" means.
Discussing the Voice of Terror with the Inner Council |
Holmes: "When we go out that door, a young lady will greet us." |
Meanwhile,
Sherlock Holmes reports to the Inner Council. From analyzing minute
differences between recorded and live broadcasts of Beethoven's Fifth
Symphony, Holmes has deduced that the Voice of Terror is actually a recording.
The man behind the Voice of Terror is in England. The recordings are flown to Germany and then broadcast from
there. Holmes explains that the Voice of Terror broadcasts are carefully
timed to air moments after the disasters occur.
The Air Ministry informed Holmes that at regular intervals six Nazi planes fly over and drop their cargo on non-military targets. A single plane breaks formation.
Holmes deduces that the lone plane picks up secret military plans and the Voice
of Terror's recorded message, and flies them to Germany. Because of the
type of secret information being leaked, Holmes deduces that there is a
traitor in the Inner Council, and that the Council members are in grave
danger.
Having discovered that "Christopher" refers to the old, abandoned
Christopher Docks, Holmes and Watson, followed by Lloyd (Henry Daniell),
go there to investigate. They come face-to-face with Meade and his Nazi
henchmen, who hold them at gunpoint. Holmes didn't come alone, though, and
Kitty's friends from Limehouse appear and disarm the Nazis. Meade manages
to escape through a trap door.
Holmes engages Kitty to get close to Meade and find out what he's
planning. Kitty informs Holmes that she heard Meade say he would take care
of that "Seven Oaks" matter. Knowing that Sir Evan Barham has a home in
Seven Oaks, Holmes and Watson immediately drive there to warn Sir Evan.
Sherlock
Holmes and the Voice of Terror
This is an interesting
attempt to bring our old friend, Sherlock Holmes, up to date
and to prove that his deductive processes function in a world of
scientific innovations With his devoted Watson he is called
in to solve the riddle of how a Nazi radio announcer can predict
acts of sabotage in England within a few seconds of their actual
occurrence. This is of course very different from other Sherlock
Holmes pictures. It is fantastic but on the whole entertaining. |
|
Adolescents, 12 to 16
They would probably enjoy it |
Children, 8 to 12
Too exciting |
|
—Motion Picture Reviews, November 1942 |
Holmes catches up with Sir Evan as he is on his rounds as Air Warden. They hear air raid sirens and spot one Nazi plan.
As it comes in for a landing, they see Meade run to the plane. Meade puts something on the plane and runs off. Sir Evan shoots at him, but misses, and
he's annoyed with Holmes for not helping him.
Back
at the ministry, the Council is listening to the Voice of Terror
announcing that the Nazis will strike somewhere on the coast tomorrow
morning. The council thinks it must be the northern coast, and are
prepared to deploy troops there. But when Holmes learns that Meade and Kitty
have driven to the southern coast, he convinces the council that the
attack will take place on the southern coast. The threat against England's
northern coast was a ruse to leave the south undefended.
Holmes, Watson, the Council members and British officers surprise and
capture the small group of Nazis who were waiting in a bombed-out church to receive an invasion army proceeding across the channel.
When he realizes he's been betrayed, Meade shoots Kitty. She dies a
heroine.
Holmes has deduced that the Voice of Terror is a member of the inner
council; no one outside of the inner council should have known that Holmes
was on the case, and yet, German agents knew. He stuns everyone present
when he announces that the Voice of Terror is none other than Sir Evan Barham.
Barham was actually Heinrich von Bork, a German who resembled the real Sir Evan.
With some plastic surgery von Bork was able to fool everyone who knew
Barham, even his old school chum Watson. At Seven Oaks, when it appeared
that Sir Evan was shooting at the German plane, he was actually warning it
away.
Holmes hears a sound at the door. |
As Gavin dies, he says,
"Christopher!" |
Sherlock Holmes and the Voice of Terror
was inspired by the Conan Doyle story "His Last Bow," a story in which Sherlock
Holmes comes out of his bee-keeping retirement to help trap a German spy in
England, circa 1914, or a little earlier. The German spy's name was Von
Bork—the same name as the German spy masquerading as an Englishman in The
Voice of Terror. Otherwise the stories are completely different. The speech
Holmes gives at the end of the film (quoted below) is nearly word for word the
same as the end of "His Last Bow." The inclusion of this speech was a concession to the estate of Sir Arthur Conan Doyle,
who insisted that the film must correspond, at least in part, with the original story.
Watson: "It's a lovely morning, Holmes."
Holmes: "There's an East wind coming, Watson."
Watson: "I don't think so. Looks like another warm day."
Holmes: "Good old Watson. You are the one fixed point in a changing age. But there's
an East wind coming all the same, such a wind as never blew on England yet. It will be
cold and bitter, Watson, and a good many of us may wither before its blast. But it's God's
own wind none the less. And a greener, better, stronger land will be in the sunshine when
the storm is cleared."
"Sherlock Holmes and the Voice of Terror"
SHERLOCK HOLMES IS BROUGHT UP-TO-DATE IN MELODRAMA THAT IS ROUTINE AND
UNDISTINGUISHED.
Sherlock Holmes is brought right up to-the-minute in his latest screen
adventure. His job in this instance is to uncover a gang of saboteurs who
are terrorizing all England and boasting of their nefarious exploits via
broadcasts delivered by a character identified only as "The Voice of
Terror."
Sherlock is called in when the intelligence office finds itself
helpless to uncover the saboteurs. With quiet efficiency the sleuth
plunges into the case, using deductive logic as his chief weapon for
solving the riddle. Dr. Watson is at his side most of the time, but the
fellow is of little help to him. What help Sherlock does get comes from a
girl of the slums who enlists her disreputable companions in the search
for the saboteurs. The girl is motivated by revenge as well as patriotism
her sweetheart having been murdered by the gang. Pretty soon Sherlock has
the villains rounded up. A member of the intelligence office, who is an
imposter, is revealed as the head of the gang. the only reward Lynn Riggs,
the author of the screenplay, has seen fit to offer the girl is death at
the hands of one of the saboteurs.
Though routine and undistinguished, this melodrama, produced by Howard
Benedict, has a fair amount of thrilling action and much speed, for which
thanks chiefly to the direction of John Rawlins. Robert D. Andrews adapted
the story, which is based on Sir Arthur Conan Doyle's "His Last Bow."
The acting is generally good. Basil Rathbone is the Sherlock Holmes and
Nigel Bruce the Dr. Watson. Reginald Denny is the head saboteur and Evelyn
Ankers the girl from the slums. Others who should be mentioned are Thomas
Gomez, Henry Daniell, Montagu Love, Olaf Hytten and Leyland Hodgson.
DIRECTION, Good. PHOTOGRAPHY, Good.
—The Film Daily,
September 16, 1942 |
The plot idea of a German spy impersonating
an English aristocrat to whom he bears a resemblance is taken from a 1920 novel,
The Great Impersonation, by E. Phillips Oppenheim. Set during the First
World War, the story has Baron von Ragastein returning to England from a sojourn
in East Africa as Sir Everard Dominey, his lookalike. From his position in
English society, "Dominey" is able to supply the Germans with information.
An interesting fact that modern viewers may not be aware of is that there
really was a "Voice of Terror" in London during the Second World War, though he
didn't use that name. William Joyce was one of several broadcasters who was
known by the name "Lord Haw Haw." A former member of the British Union of
Fascists, Joyce left England in 1939. He became famous for his wartime
broadcasts to England, alarming listeners with threats of invasion and
anti-British propaganda. The British public who watched Sherlock Holmes and
the Voice of Terror in the theaters in 1943* were certainly familiar with
Lord Haw Haw's broadcasts.
*Although the film was released in the USA in September 1942, it wasn't
released in Britain until October 1943. The reason for this delay is unclear. In
her book England's Secret Weapon, Amanda Field speculates, "This may have
been because of censorship problems: the plot concludes with Holmes unmasking
the head of British intelligence as a Nazi spy" (p. 120). One can't help but
wonder what had changed by October 1943 to suddenly allow releasing the film.
As they leave their apartment, Watson cautions Holmes
against wearing the deerstalker, saying, "You promised!" |
Watson deduces,
"Bullet wound." |
Sherlock Holmes and the Voice of
Terror (working title: Sherlock Holmes Saves London) contains
one of my favorite lines from all the Holmes films.
Evan Barham, of the Inner
Council, shows Holmes and Watson his bandaged hand and explains that someone shot
him. As Watson examines the hand, Holmes asks, "What do you make of it,
Watson?" Watson replies, "Bullet wound."
Sherlock Holmes and the Voice of Terror is not the best of the Holmes films, but a very good one
and very entertaining, nevertheless. Holmes shows off some brilliant
deductions about the council members upon meeting them. The cinematography
has a film noir feel to it, as most scenes are at night or in
subdued light. The Voice of Terror is the only one of the Universal
series not directed by Roy William Neill.
Observant film buffs will notice that the train wreck seen at the
beginning of The Voice of Terror was footage used in Universal's 1933
film, The Invisible Man.
"Sherlock Holmes and the Voice of Terror" with Basil Rathbone and Nigel
Bruce Sherlock Holmes is given a modern setting in this fairly good espionage
melodrama. Elementary indeed is his outwitting of a ring of Nazi
saboteurs, who terrorize the English by broadcasting an announcement of
each sabotage act before committing it. The story is a bit on the
implausible side, but followers of mystery pictures should find it to
their liking, since it keeps the head spy's identity concealed. Several
persons are suspected, but it is not until towards the end that the guilty
person is exposed. There is no romance or comedy:
—
When Nazi saboteurs jeeringly warn the
nation of new depredations through their radio Voice of Terror, the
Intelligence Inner Circle summons Sherlock Holmes (Basil Rathbone), to
help in the crisis. Holmes and Dr. Watson (Nigel Bruce), his companion,
are visited the first night their inquiry begins. A man dying from a knife
wound enters their apartment. His last words leads Holmes on a hunt into
the slums, where he enlists the aid of Kitty (Evelyn Ankers), sweetheart
of the slain man. Kitty arouses her friends to help find the saboteurs.
Holmes determines that the Voice was actually a phonograph record,
transcribed in England and sent by plane to Germany for broadcasting.
Summoned by Kitty to a waterfront hideaway, Holmes and Watson discover
Meade (Thomas Gomez), the spies' leader. Holmes allows him to escape, then
arranges with Kitty to befriend him. Pursuing new clues, Holmes observes
an enemy plane making a landing near the estate of Sir Evan Barham
(Reginald Denny), chief of the Council. He sees Meade hand the pilot a
package as the plane takes off. Soon the Voice of Terror promises new
destruction in northern England. Taking the Council members with him,
Holmes goes to a point on the southern English coast where, with the aid
of soldiers, he captures Meade and his henchmen in an abandoned castle.
Holmes then proves that the threat of destruction in northern England was
a ruse to draw men and equipment away from the southern coast to aid an
intended Nazi invasion. Sir Barham is uncovered as a Nazi spy. In an
unguarded moment, Meade grabs a gun and kills Kitty. Holmes sadly starts
home, but with him go the thanks of a nation.
Lynn Riggs wrote the screen play based on
a story by Sir Arthur Conan Doyle. Howard Benedict produced it, and John
Rawlins directed it.
Not for children.
—Harrison's Reports,
September 12, 1942 |
"The same old Sherlock—and the same old Basil Rathbone, too—only this time
with a sort of wind-blown hair-do and markedly without deerstalker cap, is
again prowling around in foggy London and the sinister cellars of Limehouse,
ferreting out the Nazi agents who not only commit sabotage all over England
but have the effrontery to proclaim their acts on the radio." —Bosley
Crowther, New York Times, September 19, 1942
Holmes asks Kitty, "Do you know what 'Christopher' means?" |
The Inner Council listens to another Voice of Terror
broadcast. |
"Sherlock Holmes, the screen's leading anachronism, is currently combating
the Nazis and winning handily. 'Sherlock Holmes and the Voice of Terror,'
his latest vehicle, is supposed to be based on 'His Last Bow,' but you will
notice deviations to the approximate number of three hundred. Holmes and
Watson are portrayed by Basil Rathbone and Nigel Bruce, whom a rising generation probably looks
on by now as the original models." —David Lardner, The New Yorker,
October 3, 1942
Sherlock Holmes and the Voice of Terror
It's About: The famous detective mixes it up with Nazi spies.
It was our idea the famous Conan Doyle character lived somewhere back
in the nineties, gay or otherwise. Nevertheless and notwithstanding, we
find the old boy, who must be getting along in years, with his inseparable
pal Doctor Watson (Nigel Bruce ) uncovering a Nazi radio nest and
preventing all sorts of German invasions. My word, what an active old
bird, to be sure.
Basil Rathbone, of course, is the indestructible Holmes and
Evelyn Ankers the pretty Limehouse girl who aids him.
Your Reviewer Says: Pretty average fare.
—Photoplay, December 1942 |
"The move from one studio to another [20th Century Fox to
Universal] had not changed the brilliance of Rathbone's performance." —David Stuart Davies, Starring Sherlock Holmes,
(Titan Books, 2001)
"Rathbone ... and Bruce were at their best in the roles, which they
were, by now, quite familiar with." —Michael Druxman,
Basil Rathbone: His Life and His Films
(A.S. Barnes, 1975)
Watching London's East End burn |
Holmes explains that the Voice of Terror broadcasts are recorded in
England and flown to Germany. |
See more photos and reviews of The Voice of Terror
on page 2.
See Posters, Lobby Cards and Promo Photos on
page 3.
..
Cast |
|
Basil
Rathbone ... |
Sherlock Holmes |
Nigel Bruce ... |
Dr. Watson |
Evelyn Ankers
... |
Kitty |
Reginald Denny ... |
Sir Evan Barham |
Montagu
Love ... |
Gen. Jerome Lawford |
Henry Daniell
... |
Anthony Lloyd |
Thomas Gomez ... |
Meade |
Leyland Hodgson
... |
Capt. Ronald Shore |
Olaf Hytten ... |
Admiral Prentice |
Arthur Blake ... |
Crosbie |
Harry Stubbs
... |
Taxi Driver |
Hillary Brooke
... |
Jill Grandis |
Robert Barron
... |
Gavin |
Mary Gordon ... |
Mrs. Hudson |
Rudolph Anders (credited as Robert O. Davis)
... |
Schiller (Nazi) |
Harry Cording
... |
Camberwell
(ex-convict) |
Leslie Denison ... |
Air Raid Warden |
Edgar Barrier ... |
Voice of Terror |
Gavin Muir ... |
BBC radio announcer |
Herbert Evans
... |
Smithson (butler) |
Donald Stuart ... |
Grady |
John Wilde
... |
Nazi |
Arthur Stenning ... |
Officer |
George Sherwood ... |
Cabby |
Ted Billings ... |
Bartender |
Charles Jordan ... |
Limehouse pub patron |
John Rogers ... |
Limehouse pub patron |
Alec Harford ... |
Limehouse pub patron |
Fred Graham ... |
Meade's henchman |
Bobbie Hale ... |
Bar patron |
Mike Morelli ... |
Bar patron |
|
|
|
|
Credits |
|
Production
Company ... |
Universal |
Assoc. Producer ... |
Howard Benedict |
Director ... |
John Rawlins |
Asst. Director ... |
Joseph A. McDonough |
Screenplay ... |
Lynn Riggs, John Bright |
(based on "His Last Bow" by Arthur Conan Doyle)
|
Adaptation ... |
Robert D. Andrews |
Cinematographer ... |
Elwood Bredell |
Film Editing ... |
Russell Schoengarth |
Music Director ... |
Charles Previn |
Music Composer ... |
Frank Skinner |
Art Director
... |
Jack Otterson |
Assoc. Art Director
... |
Martin Obzina |
Set Director ... |
Russell A. Gausman |
Assoc. Set Director ... |
Edward R.
Robinson |
Sound Director ... |
Bernard B. Brown |
Sound technician ... |
Robert Pritchard |
Technical Advisor ... |
Tom McKnight |
Gowns ... |
Vera West |
|
|
|
|
Sherlock Holmes and the Voice of
Terror is available on DVD
|
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|