A video clip with Sherlock Holmes and Professor Moriarty
Adventures of Sherlock Holmes
Latest screen treatment of Sir Arthur Conan Doyle's
super-sleuth is about the neatest package in several attempts to make
Sherlock Holmes exciting on the screen. It is considerably better than the
last in this group and should prove a healthy buildup for others in this
line of detective yarns. Picture will enjoy moderate grosses despite the
handicap of weakie predecessors and absence of marquee draw.
Choice of Basil Rathbone as Sherlock was a wise one. Nigel
Bruce as Doctor Watson is equally expert. With the two key characters thus
capably handled, the film has the additional asset of being well conceived
and grippingly presented.
Plenty of ingenuity is concentrated into two concurrent
mysteries with the impossible clues not made too absurd or too obvious for
mystery devotees. The "elementary, my dear Watson" type of dialog is soft-pedalled
for more modern phrases or understandable patter.
The Holmes character seems tailored for Rathbone, who fits
the conception of the famed book sleuth. Bruce's Watson at times is made a
bit too mouthy and absurd, but in the main is generally good. George Zucco
offers a splendid characterization as the arch-criminal and Ida Lupino is
highly competent as the sole romantic figure in the mystery fable. Both in
the lighter moods and when registering terror, she clicks nicely. Alan
Marshal is too stiff and routine as the strange lover and the girl's
solicitor. E. E. Clive furnishes a trim bit as a Scotland Yard inspector.
Realistic production marks the vehicle. Leon Shamroy has
supplied several notable camera angles. Alfred Werker's direction is
nicely paced and clear-cut. He never allows the action to drag even in the
subdued episodes.
Wear.
—Variety, September 6,
1939
"The Adventures of Sherlock Holmes is an attempted
whodunit on a high scale but with most of the thrills of the 'B' mystery
thrillers missing, and as such becomes rather tame screen fare."
—Hollywood Reporter, September
2, 1939
"'The Adventures of Sherlock Holmes' is a slick, ornate,
and cunningly involved who-perpetrated-it variation of the ordinary garden
variety of whodunit. Its defiance of logic in plot cause and effect and
character behavior is shrugged off with the weird and exciting fascination
that hold unflagging attention."
—Daily Variety,
September 2, 1939
Holmes: "Your father was murdered on May 11?"
They race to the park to save Lloyd Brandon.
"Fine atmospheric production that catches admirably the
spirit of the classic Sherlock Holmes tales of sleuthing. Basil Rathbone
is admirable as the famous detective, and Nigel Bruce is perfect as his helper,
Dr. Watson." —The Film Daily, September 5, 1939
"Despite a far-fetched plot, this murder mystery melodrama
is pretty exciting, mainly because of the excellent production values. The
settings, lighting, photography, and music, in addition to the usual stock
tricks, are of considerable aid in creating an eerie atmosphere, putting
the spectator in a receptive mood for a story of this type. There are
several situations that hold one in tense suspense."
—Harrison's Reports, September 9, 1939
Adventures of Sherlock Holmes
Outstanding Sherlock Holmes Picture Is Head and
Shoulders Above Usual Mystery
Plot: The help of Sherlock Holmes (Basil Rathbone)
is sought by Ida Lupino to protect her brother and herself from apparently
the same impending death as carried away her wealthy father. They fail to
save the brother, and protecting her nearly distracts Holmes' attention
away from attempts by Zucco to get jewels from King Edward's crown in the
Tower of London, which was what Zucco had planned. He also stages an
apparently beaten effort to get the Star of Delhi ruby to further divert
attention, but Holmes works through the tangled mass to trap his man on
the Tower roof, and win a single-handed victory.
SUMMARY: Topped by Basil Rathbone's outstanding
Sherlock Holmes characterization, with a class cast equal to any picture
of this type yet produced and production values miles ahead of the
ordinary mystery feature, this picturization of the famous Gillette play
stands out as sure fire entertainment, with its audience appeal growing in
direct ratio as the class of audience rises. Effective musical backgrounds
and superior camera work have been substituted for the "clutching hand"
sort of mystery to make this a picture with extra appeal to intelligent
audiences. While Rathbone's Holmes does earn acting honors he gets real
competition from Bruce's fine comedy as Dr. Watson, George Zucco's
Professor Moriarty and—in short parts—E. E.
Clive's police inspector and George Regas' flute-playing murderer. Tie
this new screen version to Gillette's play, in which the late stage star
toured the world several times, in publicity and advertising to interest
older patrons. Start a pre-playing street ballyhoo using a tall, pipe
smoking man clothed in regulation Sherlock Holmes costume. With vacations
over, a tieup with the public libraries on listings and displays of
Sherlock Holmes stories is timely.
OUTSTANDING: Gene
Markey's production values.
Catchline: "Fiction's
greatest detective in his greatest case."
—Showmen's Trade
Review, August 26, 1939
"Smooth script, a well told story, a flexible tale which
is neither handicapped by age nor held down by London's housetops ...
Holds the imagination and interest throughout."
—Ward Marsh, Cleveland Plain Dealer,
September 5, 1939
"Extraordinary good sense and skill have gone into the
making of The Adventures of Sherlock Holmes ... at once an exciting
thriller and a faithful re-creation of a famous literary figure."
—Howard Barnes, New York Herald
Tribune, September 2, 1939
They arrive too late to save Lloyd.
Holmes:
"Do you observe anything singular about these
footprints?"
"If you enjoyed Basil Rathbone doing his Sherlock Holmes
sleuthing in Hound of the Baskervilles, you're sure to enjoy even
more the new chapter, The Adventures of sherlock Holmes. Definitely the
swankiest of the whodunits, The Adventures of Sherlock Holmes has
excellent production value, in fact Gene Markey and 20th Century Fox have
given the picture so much class that it is difficult to recognize another
of those 'who got the jewels?' plots Rathbone is smooth and suave. Nigel
Bruce continue the best Dr. Watson of either stage or screen. Ida Lupino
is appealing and Alan Marshal well helps her carry the love interest."
—The Los Angeles Examiner, August 24, 1939
"Eerie, foggy settings heighten suspense. Fine characterizations."
—The Educational Screen, October 1939
Sherlock Holmes
Guaranteed—not one dull
moment! this latest picturization of Sleuth Holmes' activities has enough
thrills, chills and suspense to satisfy the most avid mystery-story fiend.
It's full of hokum—but such
suavely presented hokum that any audience will take it and love it. The
role of Holmes is again in the capable hands of Basil Rathbone, who seems
to have such an elegant time himself snooping out incredible clues, that
it would be an impossibility for any on-looker not to join in the spirit
of the fun. Nigel Bruce as the blundering, jovial Dr. Watson is another
happy choice. In the cast this time are also Ida Lupino, Alan Marshal and
Terry Kilburn.
A murderous gentleman, George
Zucco, determines to perpetrate a crime that will make Sherlock Holmes the
laughing stock of London. Nothing could induce us to tell you the maniacal
plans which Mr. Zucco conceives, but we can tell you this—he doesn't
outwit the Holmes' super intelligence for very long. There's a romance,
too, to give the customers their money's worth. Ida Lupino is the
beautiful heroine who is shadowed by the fact that she will meet death any
moment in the same gruesome manner which ended the lives of her father and
brother. In short, "Sherlock Holmes" is a blood-curdler of the first order
and mighty good entertainment—if you can take it!
Directed by Alfred Werker—20th
Century-Fox.
—Modern Screen, November
1939
"The first of three possible endings had Holmes explaining
how the vengeful Mateo believed that Ann's father had been responsible for
the death of his own, and had stolen the mine that made the Brandons rich;
meanwhile, Brandon family lawyer Jerrold's shifty behavior had been caused
by his desire to shield Ann form the truth about her dead father. None of
this crucial background information is conveyed in the finished piece."
—Alan Barnes, Sherlock Holmes on Screen, 2002
"Basil Rathbone and Nigel Bruce are as good a team as
could have been chosen to play the parts of Holmes and Watson."
—Motion Picture Reviews, September 1939
Holmes realizes that Moriarty has shaved.
"Moriarty concocted that Brandon case with all its fantastic
convolutions expressly to divert my attention at the time the Star
of Delhi was delivered."
"Rathbone was again [as in The Hound of the
Baskervilles] excellent; his timing and phrasing seemed to echo the
Holmes of Conan Doyle's pages, while he cuts a figure reminiscent of the Paget drawings."
—David Stuart Davies, Holmes of the Movies, 1968
"One can't help liking the new Holmes film, ... with Basil Rathbone in the
calabash and a swirl of fog standing by for its entrance cues."
—Frank S. Nugent, The New York Times,
September 2, 1939
CANDID PHOTO GALLERY:
Basil Rathbone and Nigel Bruce taking a tea break
The film playing at the Roxy in New York City
Alfred Werker, Basil Rathbone, Ida Lupino, Nigel Bruce, Leon Shamroy
Basil Rathbone and Ida Lupino study their lines between takes.
Nigel Bruce, George Zucco, and Basil Rathbone with unidentified visitors
to the studio.
The Drive Leader, M. A. Levy, and Roger Ferri are caught by
the cameraman on the set of The Adventures of Sherlock Holmes.
Seated at left is director Al Werker. Standing, center, is Basil
Rathbone in character, and at right, Nigel Bruce, who plays Dr.
Watson.
("The Drive" refers to the S. R. Kent Drive, named after Sidney R.
Kent, head of Fox Film Corporation in 1932. 1939 was the seventh
annual S.R. Kent Drive. Fox merged with 20th Century in 1935.)