This video shows clips of Basil Rathbone trying on
helmets for his role as Sir Guy of Gisbourne. Once the actor is cast in a role, costume tests are done to
determine which garments are most becoming to the actor and which
fabrics photograph best; head tests to decide which helmet of the
period is best suited to the actor.
"Thrilling, tense, exciting and colorful, ROBIN HOOD is a glorious
cinematic adventure, a treat for audiences of every class. Critical applause
will be plentiful, word-of-mouth favorable and profuse. It is assured a
thunderous reception at the boxoffice."
—Independent Exhibitor's Film Bulletin, May 14, 1938
"The director, Michael Curtiz, has proved that new life and enthusiasm can be
brought to the oldest of stories. The Adventures of Robin Hood is packed
full of intensely dramatic situations. ... It glorifies ideals instead of
worldly schemes, courage instead of doubt. ... It brings back that love of
adventure which has been responsible for all the really worthwhile things man
has achieved here on earth." Bernarr Macfadden, "Back to Adventure,"
Photoplay, July 1938
"It is a big and boisterous circus of a picture, full of spectacle and
the clash of swords and acrobatic escapes in the manner of Fairbanks père."
—George Campbell, The Bystander,
October 19, 1938
THE ADVENTURES OF ROBIN HOOD
COLORFUL ROMANCE THAT SHOULD PLEASE EVERYONE
After all there is nothing like high romance and exciting adventure, now is
there, and the newest version of the robin Hood legends abounds in plenty of
both. Done in Technicolor, and lavishly produced, it is one of the most
beautiful and thrilling pictures you'll ever see. If there's a spark of romance
in you you'll simply glow with joy. Errol Flynn is excellent as the
swashbuckling Robin of some seven hundred years ago—and
so dashing.
Told in picturesque episodes, with much fanfare
and pageantry, the story concerns the attempts of villainous Prince John to
seize the throne of his brother, Richard the Lion-Hearted of England, while
Richard is away on a Crusade against the Saracens. The Saxons, taxed beyond
endurance and tortured mercilessly by evil prince John and his Norman lords,
turn to Robin Hood to save them from their oppressors, which he proceeds to do
in a most daring and delightful manner.
There's comedy, and there's intrigue, and
there's a flawless cast of characters. Lovely Olivia de Havilland plays Maid
Marian and no princess ever looked mroe beautiful and romantic on her balcony
than Olivia. Basil Rathbone's performance as the deadly and dastardly Sir Guy is
perfection itself, as always, and his duel with Robin is quite the most
thrilling duel every screened.
Stand-outs are Claude Rains as the scheming
Prince John, Melville Cooper as the cowardly Bishop of Nottingham, Ian Hunter as
the stalwart Richard, Alan Hale as tough Little John, Eugene Pallette as martial
Friar Tuck, Patric Knowles as loyal Will Scarlett, and Una O'Connor quite
priceless as Maid Marian's maid in the throes of a romance with Will Scarlett.
You'll long remember the new Robin Hood as the most colorful and dashing of
pictures.
—Silver Screen, July 1938
"Rathbone was perfectly cast in his role. Constantly being frustrated by
Robin Hood, the vicious knight would often let his anger obliterate his reason.
Gisbourne may have been the man-of-action, but the foppish Prince John was the
more cunning villain of the story." —Michael
B. Druxman, Basil Rathbone: His Life and His Films (1975)
"Wasn’t Basil Rathbone something? When the duel scene was shot, he was 45
years of age (17 years older than Flynn) and a heavy smoker, yet easily up to
the rigors of shooting that scene." —Robert Matzen, "When Swords Flew,"
The Robert Matzen Blog,
April 17, 2016
"A richly produced, bravely bedecked, romantic and colorful show, [the film]
leaps boldly to the forefront of this year's best and can be calculated to
rejoice the eights, rejuvenate the eighties, and delight those in between."
—Frank S. Nugent, The New York Times, May
13, 1938
"Here is high class entertainment, lavishly produced in Technicolor and
destined to score heavily at the box-office. The action provides new thrills—while
the photography is breath-taking. William Keighley and Michael Curtiz have
supplied excellent direction, planting the action, romance and comedy
effectively." —The Film Daily, April 29, 1938
"The Adventures of Robin Hood"
A dashing, spectacular romance of high adventure in the England of long ago,
sweepingly imaginative and combining beautiful color effects with production
values of the highest order, "The Adventures of Robin Hood" offers a rare
showmanship opportunity.
Perhaps the most impressive factor of the picture is its "bigness." It is,
strictly speaking, a physical "bigness." The story is essentially simple,
familiar to every school child in the world, that of the beloved brigand, who
defends the poor against oppression, makes himself an outlaw to bring right from
wrong, robs from the brutal rich to succor the starving and beaten poor. In that
sense, the story itself has all the elements which go to inspire the sympathy of
audiences.
Much credit must go to Norman Reilly Raine and Seton I. Miller for the manner
in which they have woven a richly adventurous yarn about the memorable legends
of Robin Hood in Sherwood Forest, and to Michael Curtiz and William Keighley for
direction which has served to combine the elements of which the story is made
and the technical facilities at their command, with full advantage taken of the
color technique, to present a powerful piece of box-office merchandise.
The cast is strong in name value, and each one performs admirably, wholly in
keeping with the characters as they long have been known. Errol Flynn has
captured ably the dashing recklessness of Robin Hood, who gave up a noble's
place to fight for his absent King Richard the Lion Hearted, with a warm feeling
for those he is protecting. Basil Rathbone is more than properly sinister as the
leading henchman of the treacherous Prince John, played by Claude Rains, who
would usurp the throne of his brother, while Olivia De Havilland is excellent as
Marion, with whom Robin Hood is in love. Alan Hale as Little John, Eugene
Pallette as Friar Tuck, Ian Hunter as King Richard, Una O'Connor as Marion's
maid, and Herbert Mundin as the willing aide of Robin Hood all offer fine
characterizations.
The outdoor sets in many cases will stir audiences to murmurs of admiration,
and the picture is highlighted by such examples as the archery contest, the
scenes in the great castle halls, the ambushes in the forest, the rescue of
Robin from the gallows, and the restoration of King Richard.
Running time, 100 minutes. "G."
—Motion Picture Daily, April 27, 1938
"Rathbone was one of the very few actors who had mastered stage fencing. ...
Basil Rathbone's arrogant Sir Guy of Gisbourne, with eloquent, biting diction,
is a masterpiece of screen villainy." —Tony
Thomas, The Great Adventure Films, 1976
"Adept at any kind of role, including romantic drama and comedy, Rathbone
was at his best in villainy (including modern wife-killers and Nazis) and
was absolutely unmatched at playing swaggering scoundrels of other days,
where his rich delivery of full-blooded dialogue, while attired in doublets
or court finery, made him truly a sight to behold—and
to listen to." —William K. Everson, The Bad Guys: A Pictorial History of
the Movie Villain, 1971
Robin's final duel with Sir Guy
The death of
Sir Guy of Gisbourne
"Basil Rathbone is magnificently villainous
as Sir Guy of Gisbourne." —Photoplay, June 1938
"Most of the great swashbuckling villains derived from the English stage, for
a theatrical apprenticeship equipped them with stage presence, precise delivery
and a high sense of style, indispensable qualities for villainy. All these
qualities were possessed in abundance by Basil Rathbone, greatest of all
swashbuckling villains." —Jeffrey Richards,
Swordsmen of the Screen, 1977
"The Adventures of Robin Hood" with Errol Flynn, Olivia DeHavilland, Basil
Rathbone and Claude Rains
Excellent entertainment! Not only does it show great care in production, that
is, in lavish settings, fine technicolor photography, expert direction and
acting, but also in the manner in which the story has been developed, for action
has not been sacrificed in an attempt to stress the beauties of technicolor
photography. Adventure, romance, comedy, and human appeal have been skilfully
blended to give satisfaction on all counts. Needless to say, it holds one in
tense suspense throughout, because of the constant danger to the hero, who dares
to defy the tyrannical nobles in an effort to bring about justice for the common
people. In spite of the fact that his many escapes are nothing short of
miracles, the way he accomplishes them are so thrilling, that audiences will
overlook the fact that they are far-fetched. The duel in the closing scenes
between the hero and his arch enemy is the most exciting ever screened. And for
color and excitement, audiences will long remember the archery tournament in
which many men complete.
—Harrison's Reports, May 7, 1938
"Basil Rathbone, as a Norman villain, shows some fine fencing talent."
—John Mosher, The New Yorker, May 21,
1938
"Marvelous actor and
dignified though he is, I can kid around with Basil Rathbone. Why, when we were making
'Robin Hood,' he actually hooked my skirt for me. The cast roared and a prankish
cameraman snapped him doing it. The print is preserved in my album."
—Olivia de Havilland, "It's Been Too Easy," Modern Screen, March 1938
CANDID PHOTOS:
Basil Rathbone and Olivia DeHavilland
a candid shot of the cast
Basil making home movies
Basil Rathbone, Una O'Connor and Olivia de
Havilland
Olivia and Basil
Rathbone, Patric Knowles, and Olivia
deHaviland
Tony Gaudio (photographer wearing a pith helmet) watches as Basil
Rathbone takes a photo of Patric Knowles and Errol Flynn.
Rathbone and Melville Cooper taking a break for tea.
Wounded by a spear during a mob scene, Basil Rathbone gets his foot bandaged by the studio surgeon (Ardon
Faught).
group in circle discussing script
Rathbone in costume
Melville Cooper, Claude Rains, Basil Rathbone
Rathbone in costume
Rathbone and Olivia
Patric Knowles, unknown crew member, Rathbone, and Melville Cooper
Basil with Errol Flynn, who is wearing a costume for a
jousting scene that was later cut from the film.
In the make-up chair
Errol Flynn and Basil Rathbone looking over costume designs,
1938.
Basil and archery expert Howard Hill
Boar hunting with Howard Hill
Basil Rathbone and archery instructor Howard Hill
The cast of The Adventures of
Robin Hood gather round as Olivia de Havilland reads aloud. The men
(left to right) are Basil Rathbone, Melville Cooper, Patric Knowles,
Alan Hale, and Errol Flynn.