Rio
(1939) 75 min. b&w
Rio is the story of the downfall of a crooked financier, played by Basil Rathbone.
The film opens in Paris. A group of bankers on the verge on ruin are
looking for Paul Reynard, but he's not there. He's in London. On the phone
he tells them he has obtained a loan, and they are relieved--for the moment.
The bankers don't yet know that Reynard has lied about the loan. While
flying back to Paris, Reynard decides to blackmail the bankers into lending him money. He tells them that the
securities he deposited with them are forged. They want to turn him over to
police, but he warns that action will bring them financial ruin. "Your one
chance of remaining solvent is to keep me solvent."
Dirk listens as Reynard talks to the bankers on the phone. |
Reynard shows Dirk a necklace he bought for his wife. |
Reynard and his young wife Irene go out to celebrate their first anniversary at
a club where she used to sing. When the orchestra plays one of her songs,
the club patrons press Irene to sing. While she is singing, the police
arrive and arrest her husband.
Branded an arch-swindler, Reynard
is sentenced to ten years in a French penal colony on the fictional St.
Jacques Island, off coast of Brazil, 30 miles from Rio.
Dirk and Irene visit Paul shortly after the sentencing. Paul asks Dirk to
guard Irene and take care of her. He tells Irene to forget about him and
find happiness again. Refusing to give up on Paul, Irene and Dirk move to
Rio. They both find work in a nightclubIrene
as a singer, Dirk as a bartender. Irene makes the acquaintance of an
American engineer, William Gregory, who falls in love with her.
Gregory (Robert Cummings) had taken to drink as a result of his disgrace
when the bridge he had built had collapsed. Later, Gregory undertakes to
build a dam to store water for the farmers. He makes a success and
reestablishes himself. Though attracted to him, Irene will not
abandon Reynard. She knows that Reynard needs her, and she couldn't live
with herself if she deserted him.
Reynard tells Dirk how he will solve his problem. |
Paul buys a necklace for Irene. |
Meanwhile, Reynard languishes in prison. He becomes convinced that Irene
will not wait ten years for him, so he dreams of escape. Having served his
term, one of Reynard's fellow inmates is released. He and Dirk arrange to
help Reynard escape from the jungle that surrounds the prison. Reynard and
his friend Mushy escape into the jungle. They just need to get to the spot
where Dirk will pick them up in a boat. After two days, an exhausted Mushy
is slowing down Reynard's progress. Reynard murders Mushy in cold blood, and
switches identity tags with him. Reynard pushes on, and finds Dirk who
rescues him.
When Mushy's corpse is found, it is identified as Paul Reynard. Newspaper headlines read that Paul Reynard died in
the jungle,
so, not surprisingly, Irene thinks her husband is dead. She receives a great
shock when Reynard, having recovered and bathed, confronts her. He wants
them to leave Rio the next day and start a new life together. But it's too
late. Irene no longer loves him; she loves Mr. Gregory. Right on cue, William Gregory
bursts in and refuses to let Reynard take Irene. Reynard threatens to kill
both Irene and Mr. Gregory. Dirk tries to stop him, and the gun goes off,
killing Reynard. The film ends with Dirk being shot by the police.
Rio An international financial swindle, a
French penal colony, an escape, and a romance with a charming American
engineer in South America are the elements which have been skillfully
blended by director John Brahm to make an altogether charming,
melodramatic adventure story of "Rio." They are elements which have
power to draw at the box office and it is a story to stir young and
old alike.
Performances by Basil Rathbone, the corrupt, merciless financier,
and Victor McLaglen, his trusted aide, merit special praise, but to
Sigrid Gurie and Robert Cummings go top honors for developing the love
interest with winsomeness, charm and delightful, heartwarming grace
Cummings first appears on the scene as an unsuccessful engineer, well
on his despondent way to oblivion when he meets Miss Gurie during a
hilarious but touching sequence with Cummings under the influence of
liquor. Cummings gradually changes, however, and emerges with his
ambitions renewed.
Miss Gurie, Rathbone's wife, who refuses to desert him during his
difficulties, sings two songs"Love
Opened My Eyes," with music by Jimmie McHugh and lyrics by Ralph
Freed, and "Heart of Mine," with music by Frank Skinner and lyrics by
Freed. Supporting roles by Leo Carrillo, a cafe proprietor, Irving
Bacon and Maurice Moscovich, as convicts, and Billy Gilbert, the cafe
manager, excellently portrayed, round out a well balanced cast.
Rathbone and Miss Gurie are
celebrating their first wedding anniversary when he is arrested for
depositing forged bonds as collateral for huge bank loans. A financial
panic results and Rathbone is sent to a penal colony. Miss Gurie and
McLaglen work in a Rio cafe in order to be near him, and it is here
that Cummings enters the scene. Miss Gurie steadfastly refuses
Cummings' offers of marriage, although she admits that she stopped
loving her husband when his true character was revealed. Rathbone's
flight from the colony if an exciting episode but after the ruthless
slaying of a fellow fugitive, Rathbone succeeds in meeting his wife
once more.
When she sees her husband at liberty
Miss Gurie regards herself as free from further responsibility to him
and when Rathbone is killed by the police, she rejoins Cummings. In
all, it is a film which will hold any audience tense throughout.
Stephen Morehouse Avery, Frank Partos,
Edwin, Justus Mayer and Aben Kandel wrote the screenplay from an
original by Jean Negulesco.
Edward Greif
Motion Picture Daily, September
29, 1939 |
Universal had planned to start filming Rio in 1938. French film star Danielle Darrieux was supposed to have the role of
Paul Reynard's young wife Irene.
Danielle arrived in Hollywood in October 1937, and signed a seven-year
contract with Universal. The studio introduced her to American
audiences in The Rage of Paris (1938). Joe Pasternak (producer at
Universal) announced that Danielle's next picture would be Rio, and that
production would begin on September 15, 1938 (The Film Daily, July 26, 1938).
Danielle Darrieux had sailed back to Paris on May 18, 1938. Universal
expected her to return when they were ready to commence filming Rio.
Meanwhile, Universal ran into problems with the film. At first, Josef von
Sternberg had a deal with Universal to direct Rio for $75,000. The price was
knocked down to $60,000 but J. Cheever Cowdin (President of Universal and
Chairman of the Board) considered that still too high a price to pay for a
director. Sternberg then went to MGM (Variety, August 3, 1938).
Shortly thereafter, Anatole Litvak signed a contract to direct Rio, and Joe Pasternak was
going to produce it (Box Office, Sept. 3, 1938).
Box Office (Sept. 24, 1938) announced that production would
begin in early October. When October arrived, Variety reported, "Universal's
Rio, originally slated as the next Danielle Darrieux starrer,
was shelved after the story failed to jell into a suitable screen play.
Stephen Morehouse Avery and Frank Partos are working on a new yarn for the
importee." (Variety, October 5, 1938)
By April 1939 Universal had taken Rio off the shelf and dusted it
off. Universal announced 40 pictures they planned to produce, including
"Danielle Darrieux in Rio, a Joe Pasternak production, with one
of the most important directors in the industry to be assigned." (The
Film Daily, April 17, 1939)
Danielle Darrieux never came back to Hollywood. Production on Rio
began July 8 with John Brahm directing, and Sigrid Gurie replacing Danielle Darrieux
as Irene. The film was released September 29, 1939.
Danielle Darrieux |
Paul Reynard (Rathbone) with his wife Irene (Sigrid Gurie) |
Paul and Irene have been married one year. They are very happy. |
Paul receives a phone call from banker Lamartine, who has discovered
that Paul lied about the loan. |
Sigrid Gurie, who was eventually cast as the wife of Rathbone's
character, was presented to Hollywood as Samuel Goldwyn's discovery
and hailed as "the siren of the fjords." There were few details available about heronly that she was a great
Norwegian actress miraculously found and persuaded to lend her luster to
the American screen. Goldwyn had kept her hidden for months, forbidding
her to visit a night club or a popular luncheon spot or meet any picture
people.
In April 1938, Sigrid's true past was disclosed. She was Norwegian, true enough,
but
born in Brooklyn, New York. Her parents were Norwegian and the family
moved back to Norway when Sigrid was three years old. She grew up in Oslo,
Norway. Sigrid came to Hollywood in 1935, and tried to break into the
movies. So she was not a star, after all, but a novice!
A Life magazine article reported, "Mr. Goldwyn's picture of a
new Norwegian Garbo was badly jolted in March when Miss Gurie filed suit
for divorce from a hitherto unsuspected husband. It speedily became known
that not only was she married to an American luggage-maker, but that her
birthplace, far from romantic Norway, was the Flatbush section of
Brooklyn, NY. The stunned Mr. Goldwyn recovered in time to snatch victory
from defeat by proclaiming 'the greatest hoax in movie history.'"
("Flower of Flatbush," Life, April 18, 1938)
But did Sam Goldwyn indeed perpetrate this hoax, or did Sigrid pretend
to be a Norwegian star and fool Mr. Goldwyn?
While she was working on Rio, Sigrid Gurie married Dr. Laurence Spangard. Director Brahm didn't give her any time off for a honeymoon.
STIRRING, ACTION-FILLED DRAMA, SKILLFULLY FASHIONED AND GEARED TO
SCORE AT B.O. Here is a gripping picture, expertly directed by John Brahm, who has
blended the action, romance, and comedy effectively. Basil Rathbone turns
in a flawless performance as a master swindler who believes he can hold
the love of his wife of a year although he has been sentenced to a 10-year
prison term. Sigrid Gurie plays the wife and does fine work. An
outstanding performance is that of Robert Cummings as a young engineer who
falls in love with Sigrid. Although Victor McLaglen, enacting the role of
Rathbone's bodyguard, is co-starred, he hasn't a great deal to do. Leo
Carrillo and Billy Gilbert fill in the comedy effectively. Irving Bacon,
Maurice Moscovich, Irving Pichel, Ferike Boros, and Samuel S. Hinds do
splendid work in supporting roles. Aben Kandel, Edwin Justus Mayer, Frank
Partos, and Stephen Morehouse Avery contributed a strong screenplay, based
on an original story by Jean Negulesco. Jimmy McHugh and Ralph Freed
fashioned one song for Miss Gurie, and Freed and Frank Skinner composed
two. Art Director Jack Otterson designed two attractive settings. For his
gigantic swindle in Paris, Rathbone is sent to the French penal colony,
Jacquet, 30 miles from Rio de Janeiro. To be near him Sigrid gets work as
a cafe singer in Rio and McLaglen, as a bartender. Sigrid meets Cummings
who is slowly drinking himself to death, despondent over the collapse of a
bridge he was building. Sigrid induces Carrillo, owner of the cafe and a
rancho, to give Cummings a job. Rathbone makes an escape and reaches Rio
only to learn that Sigrid is in love with Cummings. He threatens to kill
Cummings, but is restrained by McLaglen. In attempting to escape from the
police, who have closed in on him, Rathbone is killed and McLaglen dies
with him.
DIRECTION, Expert. PHOTOGRAPHY, Fine.
The Film Daily, September 26, 1939
|
1939 was a very busy year for Basil Rathbone. He started work on Rio
immediately upon completion of work on The Adventures of Sherlock Holmes
over at 20th Century Fox. While he was still working on Rio, he was
cast to play Richard III in Tower of London. The first week of
filming on Tower of London overlapped with the last week of filming
on Rio. Rathbone had to divide his time between both films for that
week.
In Rio, Basil Rathbone worked for the first and only time with Victor
McLaglen, Robert Cummings, and director John Brahm. Rathbone had, however,
acted with Sigrid Gurie in The
Adventures of Marco Polo (1938).
Sigrid Gurie sings three songs in the film Rio: "Love Opened My Eyes";
"Heart of Mine"; and "It Seems to Be Spring."
A phone call puts Paul in a dark mood. |
Irene says she's afraid of Paul when he gets that crazy look in his eyes. |
Paul apologizes to Irene. |
The Reynards arrive at the club to celebrate their anniversary. |
"With locales in Paris, Brazil and a jungle penal colony, the story has a
strong basic plot and several arresting counterplots. Melodrama is the
essence of all that occurs." Motion
Picture Herald, September 9, 1939
'RIO' FINE CAST IN FAIR MELLER Although the title suggests a gay musical, "Rio" is actually a heavy
melodrama which must rely on its splendid cast to get box office
attention. The elaborately-mounted scenes in Paris and in Rio de Janeiro
at carnival time clash with grim and depressing sequences in a South
American penal colony. Best suited to action housesit
should be coupled with a comedy in other location.
As a starring vehicle for Basil Rathbone
the film permits him to run the gamut of emotions as he degenerates from a
polished financier to a tortured inmate of a prison camp. The interest,
however, is divided between his career and the delayed romance between his
wife, Sigrid Gurie, and a disillusioned young engineer. Some comedy is
injected by extraneous characters, but the underlying theme is that of
revenge.
On the eve of his first wedding
anniversary, Basil Rathbone, a clever and unscrupulous king of finance,
reveals to a group of Parisian bankers that securities they hold against
his loans are forged and worthless. He then joins his wife at a
celebration in a smart cafe where his arrest causes a panic which stuns
the financial world. condemned to a French penal colony, he plots with his
henchman on the outside and eventually escapes, making the harrowing trip
through the jungle to safety. His wife, who has taken a cafe job in Rio to
be near him, finds herself falling in love with an American engineer and
is the means of giving him a new start in life. Rathbone, who believes her
unfaithful, returns to discover that she has been loyal and permits
himself to be killed by the police.
Next to Rathbone's outstanding
performance, Robert Cummings, as the young engineer, and Victor McLaglen,
as Rathbone's faithful henchman, merit praise for fine portrayals. Billy
Gilbert and Ferike Boros get a few laughs with familiar material. Sigrid
Gurie does her best work in the dramatic scenes. Photographed in a series
of striking gowns, she is being built up into a glamour girl. Her throaty
singing voice is effectively heard in two torch ballads.
John Brahm's direction is slow and heavy
handed.
Leyendecker
Independent Exhibitors Film Bulletin, October 21, 1939 |
"Rio is a dramatic
story of South America, whither Paul Reynard (played by Basil Rathbone), a
French financier, is sent, on the eve of his first wedding anniversary, to a
penal colony as the result of his exposure as a grand-scale swindler. ...
Mixed in with the thrills is plenty of gay relief and cabaret sequences
which give Sigrid Gurie the chance to exercise her
charming voice." The Tatler, March 27, 1940
M. Lamartine arranged the anniversary party for the Reynards. |
Paul and Irene toast to celebrate their wedding anniversary. |
The police arrest Reynard, and don't even allow him to speak to his
wife. |
Paul tells Irene to forget about him and find happiness again.
|
"Basil Rathbone and Victor McLaglen make a fine combination in RIO,
glamorous Universal masterpiece." The Evening Express, June 18, 1940
"Brahm ... has achieved a handful of exceptionally telling sequences;
and through the performances of Basil Rathbone, Sigid Gurie, Robert Cummings and Victor
McLaglen in roles quite unlike those they usually play, he has created a
character gallery of constant interest." Frank
S. Nugent, The New York Times, October 27, 1939
See Page Two for more reviews and photos. See Page Three for pictures of posters,
lobby cards and promo photos.
.
Cast |
|
Basil
Rathbone ... |
Paul Reynard |
Victor McLaglen ... |
Dirk |
Sigrid Gurie
... |
Irene Reynard |
Robert Cummings
... |
Bill Gregory |
Leo Carrillo
... |
Roberto |
Irving Bacon ... |
Mushy |
Maurice Moscovich
... |
old convict |
Billy Gilbert
... |
Manuelo |
Samuel S. Hinds
... |
Lamartine |
Irving Pichel
... |
Rocco |
Ferike Boros
... |
Maria |
Frances Robinson
... |
Renee, the maid |
Kathleen Howard... |
Mme. Adrienne Lamartine |
Edward Keane ... |
Mr. Albert |
Franco Corsaro ... |
Bartender |
Alphonse Martell ... |
George, Maitre D' |
Henry Armetta ... |
Headwaiter |
George Davis ... |
waiter |
Jack Chefe ... |
French waiter |
Eddie Kane ... |
Banker |
Russell Hicks ... |
Banker |
Olaf Hytten ... |
Banker |
Edmund Mortimer ... |
Banker |
Ferdinand Munier ... |
Banker |
Landers Stevens ... |
Banker |
Frank Reicher ... |
Paris Banker |
Otto Han ... |
Japanese Banker |
William Worthington ... |
American Banker |
Lionel Pape ... |
Jeweler |
Harry Worth ... |
Prefect of Police |
Joe Sawyer ... |
Prison Guard |
Eddie Hall ... |
Prison Guard |
William Royle ... |
First Guard |
Ben Taggart ... |
Second Guard |
Paul Bryar ... |
Guard |
Lane Chandler ... |
Guard |
Ernie Adams ... |
Convict |
Sidney D'Albrook ... |
Convict |
Martin Faust ... |
Convict |
Delmar Costello ... |
Romeo |
Howard Brooks ... |
Priest |
C. Montague Shaw ... |
Aristocratic man |
Harold DeGarro ... |
man on stilts |
Bess Flowers ... |
Party Guest |
Valeska Gert ... |
Specialty |
Geneva Hall ... |
Dance Specialty |
Theodore Rand ... |
Dance Specialty |
Tony Paton ... |
Doorman |
Harry Lang ... |
Taxi driver |
George Lloyd ... |
Barfly with machete |
Jimmie Lucas ... |
Second Sailor |
Chris-Pin Martin ... |
Roberto's ranch foreman |
Mia Ichioka ... |
Japanese telephone operator |
Alyce Ardell ... |
French telephone operator |
Virginia Dabney ... |
American telephone operator |
Louisa Brien ... |
English telephone operator |
Eric Alden ... |
bit role |
Eddy Chandler |
bit role |
Gino Corrado ... |
bit role |
Walter Fenner ... |
bit role |
Grayce Hampton ... |
bit role |
Ernest Lennart ... |
bit role |
Evelyn Selbie ... |
bit role |
Charles Sullivan |
bit role |
Nick Thompson |
bit role |
|
|
|
|
Credits |
|
Production
Company ... |
Universal |
Director ... |
John Brahm |
Asst. Director ... |
Philip Karlstein |
Writer (story) ... |
Jean Negulesco |
Screenplay writers ... |
Frank Partos, Aben Kandel, Edwin Justus Mayer,
Stephen Morehouse Avery |
Cinematographer
...
|
Hal Mohr |
Film Editing
... |
Philip Cahn |
Original Music
... |
Frank Skinner |
Stock music ... |
Hans J. Salter |
Music Director ... |
Charles Previn |
Choreographer ... |
Larry
Ceballos |
Art Director
... |
Jack Otterson |
Asst. Art Director ... |
Martin Obzina |
Set Decorator ... |
Russell A. Gausman |
Costumes ... |
Vera West
(gowns), Mme. Pola (Miss Gurie's gowns) |
Sound Supervisor ... |
Bernard B. Brown |
Sound Technician ... |
William
Hedgcock |
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