Make A Wish
(1937) 75 min. b&w

By 1937 Basil Rathbone was well-known for his portrayals of villains, such as Murdstone in David Copperfield. This light-hearted musical offered Rathbone a welcome opportunity to play a nice guy and romantic lead. Make a Wish was primarily a vehicle for child star Bobby Breen to sing several songs. NBC radio star Marion Claire also sang in this film—the only film that she ever made.

The story was set at a summer camp in the Maine woods, Birchlake Camp for Boys. (The actual location was Malibu Lake in California.) Rathbone plays John Selden, a composer who lives in a rustic lodge across the lake from the boys camp. His neighbors are Brennan and Moreta, composers of popular tunes. Selden, on the other hand composed classical music. He is supposed to be composing an operetta for a fall production in New York, but he has a creative block.

While reading the paper Selden gets a phone call from Mr. Wagner, the producer of the operetta. Selden doesn't want to talk to him; Joseph, Selden's servant, takes the call. Mr. Wagner is very anxious about the production and worried that Selden hasn't written any music yet.

Joseph, Selden's servant, fancies himself a poet. He'd like nothing more than to help with the operetta. Selden declines the help, and decides to go fishing.


This is how men dressed to go fishing in the 1930s!


Rathbone and Bobby Breen

While fishing, Selden hooks a pair of swim trunks. A boy calls out from the lake, Hey, mister, those are mine!" He explains that they came off because they are too big. He had tied them with a knot, but it slipped. Selden, who loves kids, laughs and tosses the trunks to the boy. He introduces himself as Chip Winters. Chip swims back to the boys camp.

That evening Selden hears the boys singing around the campfire. He is inspired and goes to the piano and starts writing. The next morning, he rows across the lake to visit the boys' camp. He meets Chip's friends, but Chip is the one who becomes Selden's muse. Chip shares a letter written by his mother, and Selden is impressed with her imagination. Chip and Selden become good friends, and Selden composes the first two acts of his operetta.

One day Chip tells Selden that his mother is coming to visit and her fiancé Mr. Mays is coming with her. Chip's mom is a singer, but Mr. Mays made her give up her singing career. Chip doesn't like Mr. Mays, but his mother feels it's better for Chip if she marries a responsible man instead of touring the world, singing. Chip tells Selden that he's looking for a treasure to give to his mother. Selden suggests that Chip could give her a song. He says it's something that you can give and still have. It's something that you can carry with you wherever you go. It's good when you're sad and when you're glad. He plays the song and Chip sings "Make a Wish."

Selden is working on the third act of the operetta when he sees Chip standing in the doorway. Chip says that he's brought his mother because she wants to thank him for the song. Selden is very pleased to meet her. Chip says he has to get back to camp, so he leaves his mother at Selden's house. Selden and Irene Winters talk of Chip, of camp, of singing, of the stage, and of her giving it all up to make a new life for Chip. Selden plays over the score of the operetta for her. Finally, it's time to leave, and he takes her back to the boys' camp in his rowboat. He finds himself falling in love with her.

 

Make a Wish

BRIGHT AND CHEERY PIX SHOULD PLEASE MOST MEMBERS OF FAMILY AUDIENCES.

The newest Bobby Breen opus should please most members of family audiences. It has a bright, cheery atmosphere and has been ably directed by Kurt Neumann. Running a close second to Bobby is five-year-old Billy Lee, who scores heavily with limited material. Basil Rathbone is very effective in a sympathetic role, while Marion Claire pleases with her singing. Donald Meek, as a butler, set on writing lyrics, is amusing. Ralph Forbes, Henry Armetta and Herbert Rawlinson are among the principals. Sol Lesser rates credit as producer and Edward Gross as associate producer. "Make a Wish," the theme song, is a catchy number, while "Music in My Heart" is also "infectious." Oscar Straus wrote the music for the two numbers and Paul Webster and Louis Alter the lyrics. Alter and Webster furnished both the lyrics and music for "Campfire Dreams." Hugo Riesenfeld handled the musical direction, with Abe Meyer as his associate. Gertrude Berg, Bernard Schubert and Earle Snell wrote the screenplay, based on Gertrude Berg's original story. Bobby is spending a summer at a boys' camp in Maine. He meets Rathbone, a composer, who lives nearby. Bobby's mother, Marion Claire, and her fiance, Ralph Forbes, visit the camp, and Rathbone becomes friendly with her. Forbes, arrogant, breaks up the friendship between Rathbone and Marion, and Rathbone disappears. The third act of his operetta is lost, but Bobby and his mother have remembered the missing songs and come to the rescue of Producer Charles Richman. Of course, Rathbone returns and there is a happy ending for the composer and Marion.

Direction, Competent. Photography, Good.

The Film Daily, August 27, 1937

 

Selden decides that Irene is perfect for his operetta. He tells his producer that he has found his prima donna. But when he tries to persuade Irene to star in his operetta, she says, "You mustn't tempt me that way. I've given up all thought of the stage. I'm making a new life for Chip." Even when he tells her that he wrote "Music of My Heart" for her, she wouldn't agree to perform in the operetta. The next day, she and Mr. Mays head back to New York, taking Chip with them. 

Selden became depressed. He thought that without Irene, the world would be barren of music. Life, itself, would be futile. Selden entrusts Joseph to deliver the third act of the operetta to Wagner in New York. "I've sent him the first two acts. Tell him I shan't be there for rehearsals." Since Irene won't be singing the operetta, Selden has completely lost interest in it. "I never want to hear a note of this music again." Joseph asks where he is going, and Selden answers cryptically, "The world is wide, and the world is round."

Joseph approaches Moreta and Brennan about inserting a few of their songs into the operetta. Selden will never know the difference; he won't be at rehearsals. But then Joseph loses the manuscript, so the three of them have to recreate the entire third act. The result is awful.


Rathbone with Breen and other boys

Rathbone roasting wieners with Breen and other boys

Back in their city apartment, Chip and his mother spend their days singing songs from the operetta. One evening Mr. Mays mentions that it's a good thing that she didn't get involved in Selden's production. He reads aloud an item from the newspaper: "John Selden's new operetta, Music of My Heart, scheduled for opening at the Lyceum is reported in difficulties. The prima donna, Miss Pauline Manners, has walked out on the show. Can Selden be slipping?" Chip and Irene are puzzled and concerned.

The next day Chip goes to the producer's office to see Selden, unaware that no one can find him. While waiting in the reception room, he hears unfamiliar music coming from the office. Someone says that the music is from Selden's third act of the operetta. But Chip knows that the third act doesn't sound like this. "They're playing the wrong music! That isn't Mr. Selden's music!" When he is finally able to talk to the producer, Chip tells him that his mother knows all the right music for the third act. Chip and his mother sing the third act songs for the producer and save the operetta.

Wagner begs Irene to step in as prima donna. And Mr. Mays forces her to make a choice between a life with him or a life on the stage. So she chooses the operetta and it becomes a great success. Selden comes back because he heard that Irene was going to sing in it, so they are reunited in the end.

 

Make a Wish

Bobby Breen's popularity with children makes it imperative, I suppose, for his pictures to be carefully patterned to a juvenile audience. They are produced by a veteran who knows what is expected of a singing boy. Which is to say that his new one is melodious, wholesome to the point of sweetness, with beautiful natural backgrounds to make sure of it, and with no dramatic integrity at all. Its humor is captured in master Bobby's prize bon mot. He wittily describes a little of dogs as "quinpuplets." He is first seen at a boys' camp in the midst of swarming juveniles. He meets a New York composer who is in search of a melody for his operetta. It isn't surprising to discover that Bobby has it within himself all ready for Basil Rathbone, the musician. Bobby's mother appears. She, too, is a singer and is accompanied by Ralph Forbes who vaguely disapproves of Bobby, Mr. Rathbone and the Maine woods. Gossip tells Bobby that Mr. Forbes will never marry his mother his mother is she returns to the stage. That's enough for Bobby. He sees to it that she stars in Mr. Rathbone's operetta, which apparently is laid in fairyland, and this, of course, leads to his annexing Mr. Rathbone for his new papa. The mystery of the story is what makes Mr. Forbes so sore. Perhaps it is Bobby Breen.

Norbert Lusk, Picture Play, December 1937


 

 

Canadian-born Bobby Breen was ten years old when he made this film. In the 1930s he was the most famous boy singer, singing on radio shows and starring in eight films from 1936 to 1939. When he became a teenager, his career nosedived. He made one final film in 1942, when he was 15 years old.

Make a Wish received an Academy award nomination for best score. Oscar Straus was a noted Viennese composer, who went to Hollywood and collaborated with Paul Webster and Louis Alter, lyric writers, to create the songs for the film:

  • "Make a Wish" (sung by Bobby Breen)

  • "Music in My Heart" (sung by Marion Claire; reprised by Bobby Breen and Marion Claire)

  • "Old Man Rip" (sung by Bobby and the St. Luke's Choristers, an organization of 68 boy singers)

  • "Birchlake Forever" (sung by Bobby and the St. Luke's Choristers)

  • "Campfire Dreams" (sung by Bobby and the St. Luke's Choristers)

Breen also sings "Polly Wolly Doodle," an old song from the nineteenth century.

Jay Silverheels, who later gained fame as Tonto, the Lone Ranger's faithful sidekick, had a small, uncredited role in Make a Wish.

 


Basil Rathbone, Marion Claire


Marion Claire, Basil Rathbone, Bobby Breen

Filming for Make a Wish took 3 weeks. For several days, while on location at Malibu Lake, it was so cold that the director and cameraman wore heavy overcoats. In the film, it was supposed to be a warm summer evening, and Marion Claire's part called for a thin evening dress. Cold as it was, she didn't dare shiver. Movienews Weekly (August 27, 1937) wrote, "She had to hold ice in her mouth so that when she spoke or sang a cloud of vapor wouldn't give away the temperature of the place."

Make a Wish was released in the USA on August 27, 1937.

 

See Page Two for more photos and reviews from the film. See Page Three for pictures of posters, lobby cards and promo photos.

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Cast  
Basil Rathbone ... Johnny Selden
Bobby Breen ... Chip Winters
Marion Claire ... Irene Winters
Henry Armetta ... Moreta
Ralph Forbes ... Walter Mays
Leon Errol ... Brennan
Donald Meek ... Joseph
Billy Lee ... Pee Wee
Leonid Kinskey ... Moe
Herbert Rawlinson ... Dr. Stevens
Fred Scott ... Minstrel
Charles Richman ... Wagner
Lew Kelly ... mailman
Spencer Charters ... station agent
Johnny Arthur ... Antoine
Lillian Harmer ... Clara
Barbara Barondess ... secretary
Dorothy Appleby ... telephone girl
Richard Tucker ... Grant
Phillip McMahon ... Chunky
Billy Lechner ... Judge
Jackie Egger ... Bud
Tommy Bupp  ... boy
Herbert Holcombe ... Woodsman (uncredited)
Lon McCallister ... Summer camp kid (uncredited)
Carlyle Moore ... Camp Instructor (uncredited)
Junior Hughes ... Bugler (uncredited)
Jay Silverheels ... Indian Guide (uncredited)
Jack White ... Woodsman (uncredited)
Plus about 160 young extras ... Summer camp kids (uncredited)
   
 
Credits  
Production Company ... Principal Productions
Distributor ... RKO Radio Pictures
Producer ... Sol Lesser
Assoc. Producer ... Edward Gross
Director ... Kurt Neumann
Asst. Director ... Joseph Boyle
Story ... Gertrude Berg
Screenplay ... Bernard Schubert, Earle Snell
Additional dialogue ... William Hurlbut, Al Boasberg
Cinematographer ... John J. Mescall
Film Editing ... Arthur Hilton
Music (composer) ... Oscar Straus, Hugo Riesenfeld
Song Lyrics ... Paul Webster, Louis Alter
Music Supervisor ... Abe Meyer
Music Director ... Hugo Riesenfeld
Dance Director ... Larry Ceballos
Art Directors ... Harry Oliver, Willy Pogany
Sound engineer ... Hugh McDowell Jr.
Costume supervisor ... Albert Deano
Gowns ... Brymo
Costume jeweller ... Eugene Joseff
   

 

 

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All original content is copyright Marcia Jessen, 2024